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Sept. 16, 2006


Top level PWW Print Edition Archive 2006 Editions Sept. 16, 2006
Vol. 21, No. 15
The closing scene on Sept. 11, 2006, was Bush spinning selfish big lies to tie the heinous Iraq war to terrorism, to justify the tens of thousands of dead Iraqis and Americans and exhort the country to reject its impulse to compassion, collective peace and unity. The speech was a crass, cheap insult.
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Takes issue with headline
Equality for lesbians, gays
Wrong on ‘Big Box’ ordinance
What’s LMHC?
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George Bush’s recent bellicose speeches on terrorism are a warning to all who care about peace and justice. Those speeches are aimed at discrediting the peace movement and silencing all dissent. They show that the spirit of Joe McCarthy is alive and well and currently living in the White House
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As far as I can tell (I was not there), U.S. Sen. George Allen (R-Va.) was stone cold sober when he managed to call an opposition supporter of South Asian extraction a monkey. Since Allen not only wants to be re-elected to the Senate (over Democrat challenger Jim Webb), but is thought to be interested in running for president in 2008, he had better get his story straight.
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With great fanfare, George W. Bush announced that he had finally decided to send Khalid Sheikh Mohammed and 13 other alleged terrorists to Guantanamo Bay, where they will be tried in military commissions. After nearly five years of interrogating these men, why did Bush choose this moment to bring them to “justice”?
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Earlier this year, I attended a tribute to my late friend Wells Keddie, at the Labor Education Center of Rutgers University. Wells died in April after a lifetime of struggle in the labor movement and as a labor educator.
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Performed by Dr. Charlotte Mueller, “Woman’s Work” is a collection of piano music by seven women composers of the 19th and 20th centuries whose lives and accomplishments reflect social and political struggles of those eras, women whose names have hit the music history books but whose work is hardly known.
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CHICAGO — What we are watching in Anna Boden’s and Ryan Fleck’s “Half Nelson” feels like a “full nelson.” The camera lingers, following two people.
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Using information obtained under the Freedom of Information Act, the Miami Herald on Sept. 8 named 10 journalists as having received U.S. government money for work with Radio and TV Marti, the U.S. outlet for propaganda to Cuba.
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